ReUnion Network is a web application that employs Blockchain technology to help people to organize bottom-up social support systems through long-term interpersonal care contracts. It is an alternative social infrastructure that aims to facilitate a commons-based economy for collective well-being and social solidarity in order to resist the continuing crises of care in our society
We ask users to identify their feelings with color that they initiatively associate. The system doesn’t label the meaning of the color, and it does not ask the user to define it. As each color has a different meaning to each user, it creates an inconsistent index for the signifier and the signified ([color: yellow] = [any feeling]) and leads to an inefficient dataset for surveillance and prediction.
The color marking is a method we borrow from clinical psychiatry treatment and is a form of art therapy. When a person is very analytical and is alienated from their emotions, they can be asked to use colors to describe how they feel. Without over-identifying with the information they are confronted with - one premise of anxiety. Instead, they can act autonomously, rather than in a reactionary state of anxiety often induced by the demands of most social media and systems of precocity today. Therefore, theoretically, such a system produces good data for humans and bad data for machines.
There are three ways to describe the way a user spends their time in the relationship and in activities: undivided attention (such as a block of time of concentrated work); routine (such as repeated labor for maintaining a relationship); and in the mind (such as the time for thinking, feeling and generally emotional labor). The multiplicity of timelines in the app is intended to foster discussions about the quality of the use of time and the quality of our relationships: how can we better attribute wages in an era when an increasing amount of labor is cognitive and emotional.
Relationship and Activity are two types of base units in the ReUnion system. A Relationship contract defines the general expectation of the two users. An activity is a short term action that is requested by one user and done by the other. The differentiation between relationship and activity expresses the idea that “a relationship is expressed through actions, but the sum of the actions does not equate a relationship”.
ReUnion can support the local cooperative economy via the CC currency. Care work cooperatives are often not able to compete with competitors nor in the market on the basis of price, because of the lack of large funds necessary to pay the workers a fair wage. ReUnion helps care work cooperatives become more competitive with non-cooperative-based solutions, since the government subsidies distributed to users help offset cooperatives’ higher absolute cost.
Put succinctly: in CS-3, users pay the co-ops by conducting their care Activities. The co-ops receive the same payment for their work as they would from other customers. The government pays the same amount of subsidy for their social workers, while supporting double or more care needs ( “Regenerative Model of Care”), repairing social solidarity and alleviating loneliness as a public health crisis.
Local care work cooperatives also serve as a service point for addressing loneliness. There may be people who are isolated and do not have another PT-owner with whom to combine their PT in order to access social support. In this situation, the person may request a collaborator from a cooperative. With this collaborator, they may combine their PT to make a CC. This serves as a way to help people who may be atomized and facing difficulties with loneliness to start building a social support system.
COMMONS.ART is a digital platform initiated by Casco Art Institute which invited Yin to collaborate as a strategist and system designer. Yin propose the platform can formulate an economic eco-system for maintaining (not preserving, i.e. making the work alive with the on-going social changes) the new generation of socially-engaged art work, by connecting art works to “caretakers'' who can make use of the work.
The key problems such a system tries to address are: when social activism needs long-term engagement to make impact, why can socially-engaged art can only participate in a closed economy that is driven by making new work?
This platform also wants to complicate the issues of authorship and value-making of art in the context of maintenance — how do we value the art if it is always an on-going process? How do we consider authorship when an artwork is not only about who creates it but also who takes care of it? What does it mean for the art economy if the paradigm is shifted towards maintenance, instead of show business?
“Urbanizing the digital” is a calling for a collective movement to create a new school of thoughts called “cyber-urbanism”. It attempts to spatialize the digital space and uses urbanism thinking as a way to assert collective user rights in the immaterial world
As such, the new school of thoughts produces new design and legal guidelines for a new generation of digital spaces that empower solidarity and the long-term collective interests of the users. The research is inherited from “Platform as aesthetic generator” and “The Curious Case of Chinese Meme War”. As part of the research, I have published a manifesto-like essay “Urbanizing the digital: Call for actions” on Volume magazine, and an additional note “The Currency of Clicks” on DAMN magazine.
This project is awarded Mondriaan Fonds with a research residency in ZK/U Berlin for further development. Currently, I am working with Master Institute of Visual Culture and Avans University to develop the project into a PhD program, as I am interested in exploring how a “PhD program” can be considered as a “medium” for knowledge development.
Phi is an AI- facilitated, blockchain- incentivized clean energy platform for clean-energy microgrid communities to create a robust cooperative clean energy economy. Phi is a collaborative project between Calum Bowden, Cory Levinson, Aliaksandra Smirnova, Artem Stepanov and Yin Aiwen in the context of ‘The New Normal’ programme of Strelka Institute (Moscow). Yin is responsible for the UX/UI design and Art direction, and a contributor to the system design.
As part of the designer film research, I started a design investigation of The One Minutes chronicle 1998-2016. The series consists of 36 One Minutes by designers and artists revealing how technology changes aesthetics, perception and reflection; an experiment where technology becomes poetry.
The series was premiere at Het Nieuw Insitituut and International Short Film Festival Oberhausen. Other venue includes:
Amsterdam Academy of Architecture (NL)
Bonnefantenmuseum, Maastricht (NL)
Dortmunder U (DE)
East China Normal University, Shanghai (CN)
Lloyd Hotel & Cultural Embassy, Amsterdam (NL)
Museum de Fundatie, Zwolle (NL)
Museum Hilversum (NL)
Sandberg Instituut, Amsterdam (NL)
De School, Amsterdam (NL)
WOW, Amsterdam (NL)
The Curious Case of Chinese Meme War is a graphic non-fiction that reports the complications of the Chinese Meme War between the netizens of mainland China and Taiwan, on Facebook in 2016. Topics are mainly circling around the mainland Chinese’s identity struggles that renders in the civil cyber-war. Topics range from imagined communities 2.0 (national identity enables by the architectural environment of the digital space), civil cyber-war strategy, gender struggle in digital nationalism, and more.
The Curious Case of Chinese Meme War is a graphic non-fiction that reports the complications of the Chinese Meme War between the netizens of mainland China and Taiwan, on Facebook in 2016. Topics are mainly circling around the mainland Chinese’s identity struggles that renders in the civil cyber-war. Topics range from imagined communities 2.0 (national identity enables by the architectural environment of the digital space), civil cyber-war strategy, gender struggle in digital nationalism, and more.
The Curious Case of Chinese Meme War is a graphic non-fiction that reports the complications of the Chinese Meme War between the netizens of mainland China and Taiwan, on Facebook in 2016. Topics are mainly circling around the mainland Chinese’s identity struggles that renders in the civil cyber-war. Topics range from imagined communities 2.0 (national identity enables by the architectural environment of the digital space), civil cyber-war strategy, gender struggle in digital nationalism, and more.
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The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
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The rich text here is a link in the texts you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.